We Might Be
after dinner we may be able to show our hidden tears.
A new collection of still life paintings inspired by my recurring memories of Barbados.
This piece measures 53x53cm framed 40x40cm unframed
Acrylic, charcoal and oil on Birch Plywwod
Framed in a deep red cherry frame
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the homeowner as she gets to know them.
after dinner we may be able to show our hidden tears.
A new collection of still life paintings inspired by my recurring memories of Barbados.
This piece measures 53x53cm framed 40x40cm unframed
Acrylic, charcoal and oil on Birch Plywwod
Framed in a deep red cherry frame
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the homeowner as she gets to know them.
after dinner we may be able to show our hidden tears.
A new collection of still life paintings inspired by my recurring memories of Barbados.
This piece measures 53x53cm framed 40x40cm unframed
Acrylic, charcoal and oil on Birch Plywwod
Framed in a deep red cherry frame
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the homeowner as she gets to know them.
