Four Copies Print
I've waited as you watch from a distance but I promised to live for them to see that our cries did not fall on deaf ears.
Signed and numbered on the front
Limited edition of 15
5 in size A2
5 in size A1
5 in size A0
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the home owner as she gets to know them.
I've waited as you watch from a distance but I promised to live for them to see that our cries did not fall on deaf ears.
Signed and numbered on the front
Limited edition of 15
5 in size A2
5 in size A1
5 in size A0
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the home owner as she gets to know them.
I've waited as you watch from a distance but I promised to live for them to see that our cries did not fall on deaf ears.
Signed and numbered on the front
Limited edition of 15
5 in size A2
5 in size A1
5 in size A0
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the home owner as she gets to know them.
